Amanda E.K. Reignites Lit on Lit – This Time at the Coffee Joint

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Inventive writing and cannabis go collectively nicely — at least that is what Suspect Press editor-in-chief Amanda E.K. says. So she’s bringing back Lit on Lit, the well-liked workshops that she helped commence in 2017. Back then, Suspect Press partnered with Puff, Pass &amp Paint to provide the pot-friendly writing classes, which, regardless of a constructive response, went on hiatus. But now the classes are back once more, held on the initial Saturday of every single month – beginning at two p.m. Saturday, September 7, at the Coffee Joint, Denver’s initial public consumption lounge.

On the cusp of Lit on Lit’s relaunch, we spoke with Amanda E.K. about writing, weed and the weirdly great mixing of the two.

Westword: What brought about the resurrection of Lit on Lit? Why now?

Amanda E.K.: I’ve been wanting to bring Lit on Lit back for the previous two years, but have been waiting for the legalization of public consumption in areas like Mutiny Information and facts Cafe. When I realized that wasn’t going to come about, I let it go for a when. I looked into a couple of vape lounges, but regrettably, these did not keep in company. I rather began teaching a weekly drop-in writing class at Hooked on Colfax in January, primarily based off the Lit on Lit model — but with no the smoking. And with the power of that neighborhood, I began seeking into vape lounges once more and found the Coffee Joint, which is at present the only spot in Denver to smoke legal cannabis.

What occurred to the preceding iteration of the class that it went away for a when?

Lit on Lit was began when the Suspect Press group paired up with Colorado Cannabis Tours and Puff, Pass &amp Paint. At the time, they had an best private attic place for consumption, full with sponsors like Ice Cream Riot, City, O’ City, and L’Eagle dispensary. It got focus from quite a few national presses, such as Men’s Journal, Yahoo Finance, Higher Occasions and Thrillist, which brought a video crew that had been following neighborhood weed connoisseur Jake Browne about all day to diverse cannabis activities about the city. We have been honored that Lit on Lit was selected as 1 of these featured activities.

When Puff, Pass &amp Paint grew out of the attic space and moved into a warehouse off I-25, the place and atmosphere weren’t as feasible for a writerly atmosphere any longer. Our audience did not appear as motivated to travel to the new place.

Any alterations to the new classes as compared to the way the old ones have been run? Are they getting run by the usual — pardon the pun — suspects?

Ha! In 2017, the classes have been hosted by Josiah Hesse, Dan Landes and myself. This time about, I will be the principal host, but each and every month-to-month class might probably see guest hosts from the Suspect Press group. Presently the class does not have any sponsorship donations, in contrast to just before — but I am hoping that will alter in the future. As for the class structure, it’ll be related to the preceding iteration, with entire-group and person writing workouts, and lots of stoned giggling.

Speak a small about the new venue, the Coffee Joint. How does that atmosphere add to the expertise?

The Coffee Joint is a exclusive space with a mini comfort shop inside with snacks, tea and other beverages. They have private rooms for games, Television watching and hosting a range of events. It is also ideal subsequent door to a partnering dispensary, so if you neglect to BYOC, you can pop subsequent door just before the class begins to stock up. I appear forward to transforming the occasion area into a inventive hub for a neighborhood of writers.

Care to speak up any of the perform that was made from preceding Lit on Lit classes? What are your achievement stories?

In the preceding Lit on Lit, we began each and every class with a round of Exquisite Corpse — a group writing exercising derived from an old Dada-era parlor game. Every particular person begins a story with the initial sentence that comes to thoughts, then every person passes their paper about the area till everyone’s contributed 1 sentence to the story. It is a enjoyable way to collaborate and get to know each and every other in a casual way. We’d study every single mini-story out loud afterward, and the benefits have been often unexpected and entertaining. 1 of our regulars, who worked in e mail promoting and collected all the spam emails he sorted by way of, would make poems out of the spam e mail topic lines, such as, “Of all the factors you regret, never let this be the 1…” The Suspect group loved these poems so a great deal we published 1 of them in our magazine, in Challenge 15.

As you noted, the classes are BYOC. Any certain favored strains of marijuana that you’d recommend are most conducive to the inventive method?

I am going to say what every person says, and that is that sativa strains are normally the most preferred for creativity. They support expand the imagination, enabling access to new thoughts, ideas and tips. 1 of our regulars from the preceding class would bring Sour Diesel every single week — an energizing sativa-dominant strain identified for its dreamy cerebral impact. I also advise Blue Dream and Golden Goat for accessing the depths of your ideal brain.

Pot aside, how do these classes differ from other writing workshops?

Lit on Lit appears to draw a lot of journalists and other experienced and technical writers — writers who create for deadlines and paychecks and seldom for themselves. When you come to Lit on Lit, you never have to have something ready. It is a opportunity to don’t forget why you wanted to grow to be a writer in the initial spot. When the stress to create for an audience is removed and you never require to feel about grammar or editing, writing becomes enjoyable, cathartic, and even therapeutic. I don’t forget 1 of our regulars even saying she felt like the classes have been as very good as therapy sessions mainly because of the release she got from the low-stress writing prompts and workouts. She’d use the time to journal and method her previous week.

You are marketing Lit on Lit as “queerer than ever.” How will that show up in the class?

I’ve publicly come out as queer this year — a aspect of my identity I’d kept inside my circle of close friends for the sake of my loved ones. But this year I am owning my complete identity for the initial time. I was even invited to be on Mortified Live’s Pride edition this previous June. It is vital to me that any of the neighborhood spaces I give be inclusive to all identities and walks of life, and that I might use these spaces to encourage attendees to tap into their identities when approaching their inventive perform. This appears diverse for every single person, and inventive writing is a fantastic way to address the sides of ourselves that we might not however be prepared to say out loud.

1 of the old writing aphorisms is “Create drunk, edit sober.” How does pot match into that? 

I cannot say that I often apply this to my personal writing, considering that I will create stoned and edit stoned, but to each and every their personal, ideal? For me, marijuana is a important enhance to my inventive concentrate when I am sitting down to create, regardless of whether it be journaling, brief fiction, or my memoir, which will be released late 2020 by way of Suspect Press. I feel pot is a fantastic way to open up to the flow of new tips and inspire you to get them on the web page. You can often go back and edit later – that is the quick aspect. The difficult aspect can be receiving the story out, and in that regard, a small toke goes a lengthy way.

Lit on Lit starts once more at two p.m. Saturday, September 7, at The Coffee Joint, 1130 Yuma Court. Tickets, $25, are nevertheless accessible.



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